Episode 1 got 4.6m UK viewers, episode 2 got 4.2m and episode 3 got a dismal 3.8m. If the trend continues, series 10 will be the least ever watched Doctor Who. What’s going on? Yes, it’s Peter Capaldi’s last series, but the ‘end’ of a Doctor often increases the interest in a series. Should we conclude then that there is something lacking in the quality of the episodes? With such a fall-off in viewers, quite possibly. Should we celebrate that it’s Steven Moffat’s last year in charge of the story-lines? Definitely, if you want my twopenneth’s worth (although the licence fee is a fair bit more than that these days).
So what’s wrong with the current writing/story-lines? Well, episode 1 (The Pilot) introduced a sassy new assistant and a monster that ‘couldn’t let go’ of a failed relationship (just about a metaphor about the Doctor needing to let go of all that he’s lost). It was far from a brilliant episode: some highly offensive fat jokes and misogyny, lacking in larger themes and with no evidence of a larger story arc. However, it was coherent, sweet and pleasingly resolved. I was happy to tune into episode 2 (Smile) – which was a hard scifi episode. Again, it was coherent and well resolved. BUT it really didn’t have any sort of ‘message’, which is a particular problem if you’re writing hard scifi. Why? Well, hard scifi is just silly and pointless if there isn’t something with a larger implication going on. Episode 2, therefore was either written by someone who just doesn’t understand hard scifi or by someone who’s just lazy (perhaps both)…
Bringing us to episode 3 (entitled Thin Ice!). Yes, this episode really was on thin ice. It’s about a monster chained up in the Thames during the Victorian era. The Doctor freed the monster. The end. Hmm. What was the point? Well, in the process, he saved a bunch of orphans (Asian kids and black kids straight out of RADA) who were being exploited by the evil white upper classes. Apparently, England was always far more multi-cultural than we like to think (yes, the term ‘whitewashed’ was used) – and the British Empire was only so successful/strong because of its ethnic diversity. Anyway, the Doctor makes sure the orphans grow up to inherit the house and wealth of the corrupt noble. The whole thing was a tad bizarre. Moffat seemed to be expressing anti-Brexit sentiment through the plot/Doctor. Sadly, the whole piece lacked a certain coherence and was a confused departure from reality really (the reality of the Victorian era).
So, series 10 leaves me (and a good number of other viewers) thinking ‘What the?’ There’s a serious lack of a series arc to hold the episodes together. (There’s a door that someone knocks but Matt Lucas refuses to open it: that does NOT constitute a series arc, however.) Time for Mr Moffat to move on, methinks. Time for someone with a fresh and grander vision to have a go. Time to bring back the Timelords.